David Quiles Guilló.

Cultural and creative strategy consultant. Curatorial systems and artistic collaborations. Working across art, festivals, brands and institutions since 2001.

Director and curator of contemporary art platforms:

The Wrong Biennale.
Nova Cultura Contemporânea.
Rojo Magazine.

Publisher and author at A/E and 7tNbjV. Content director for Canal180 and The Wrong Television. Experimental jazz producer at Cachopou and Tosco West. Check out more projects and highlights.

Art curator for museums and cultural institutions including Centre Pompidou Paris, Museu da Imagem e o Som, SESC Pompeia and Paulista in São Paulo, CCCC in Valencia, CCCB in Barcelona, La Casa Encendida and Museo Reina Sofia in Madrid among many others.

Creative director. Ad-hoc marketing strategies, branded art, collaborations and events for Absolut Vodka, Nike, Smart, Adidas, J&B Scotch, Fiat, Diesel Jeans, Selina, Frigo, Levi Strauss, Comme Des Garçons, Mercedes-Benz, Osklen, Paul Smith, Epson, Apple, Estrella Damm, Heineken, Pepe Jeans, Ray-Ban, Red Bull, Kelme, Samsung, Tiger Beer, Suvinil, Unilever, among many others.

Honorary Mention.

European Commission’s S+T+ARTS honorary mention for organising and curating collaborative art exhibitions, producing cultural artifacts and building creative networks together with thousands of artists, curators and institutions worldwide.

Impact.

14,000+ artists, curators, collaborators, brands and institutions have participated in exhibitions, innovative projects, and digital art platforms led by David Quiles Guilló across the past 25 years.

Created, produced and curated 100+ major art projects and brand experiences, biennales, festivals, exhibitions and collaborative ventures, encompassing institutional and brand partnerships, online platforms, live music, multimedia art, and large scale publishing.

Creative communities builder and network manager, working closely with artists, institutions, and leading brands to build platforms that redefine how art and creativity is experienced, exhibited, and shared online and offline.

The Wrong Biennale’s exhibitions have attracted millions of visitors worldwide. Physical exhibitions, talks and embassies in 40+ countries, with projects reviewed in leading media outlets including The New York Times, El País, Spiegel, El Mundo, Refresh, Neo2, Tehran Times, Artnet News, Folha de São Paulo, Hyperallergic, and many more.

To the moon!

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