https://davidquilesguillo.com David Quiles Guilló Wed, 23 Sep 2026 12:44:55 +0000 https://davidquilesguillo.com en https://davidquilesguillo.com/cover Sun, 25 Dec 2022 10:16:23 +0000 David Quiles Guilló https://davidquilesguillo.com/cover Bring Me Oddward’s Head On A Plinth <img width="1068" height="1068" width_o="1068" height_o="1068" data-src="https://freight.cargo.site/t/original/i/d426cacbaf724644b3e4f1caa46bc78be3a2e5e9fe94bb24854e5832a8034178/head1.jpg" data-mid="252554991" border="0" src="https://freight.cargo.site/w/1000/i/d426cacbaf724644b3e4f1caa46bc78be3a2e5e9fe94bb24854e5832a8034178/head1.jpg" /> A monumental portrait of Oddward Whatever, fragmented into angular planes and extended forms. Drawing on the tradition of rulers immortalising their likeness in sculpture, the work gives permanent form to Oddward’s grandiose internet ruling ambitions Bring Me Oddward’s Head On A PlinthCarved solid wood, pale limestone, pigmented wood and blackened timber, with concealed supports and magic Year of Creation: 2026Dimensions cm: 125 x 150 x 85Aproximate Weight kg: 70Limited Edition: 3Prices €: 18,000 / 36,000 / 72,000[ Contact for more info ] https://davidquilesguillo.com/Oddward Wed, 23 Sep 2026 12:44:55 +0000 David Quiles Guilló https://davidquilesguillo.com/Oddward Oddward Whatever<img width="1254" height="1254" width_o="1254" height_o="1254" data-src="https://freight.cargo.site/t/original/i/a7c542bd1056c1ab6faf1d25c893b6d58aef0213f6384904641f79b46325044b/studio.jpg" data-mid="253139001" border="0" src="https://freight.cargo.site/w/1000/i/a7c542bd1056c1ab6faf1d25c893b6d58aef0213f6384904641f79b46325044b/studio.jpg" /> Oddward Whatever is an AI-enhanced fictional persona created by artist and creative director David Quiles Guilló for The Wrong Biennale 2027/28&nbsp; Oddward turns an exhibition campaign into an ongoing public performance through art direction, storytelling and cultural satire Hired to become the face of the biennale, Oddward quickly exceeds its brief Within 48 hours, it declares itself a public figure, takes over the homepage and social media profiles, and announces its candidacy for President of the Internet in 2028&nbsp; <img width="1254" height="1254" width_o="1254" height_o="1254" data-src="https://freight.cargo.site/t/original/i/af7373735dfcebffa6d22af3e11b8f754ea50fff9dd3cfa3e812cccee24f4a78/awards-thanks.png" data-mid="252500403" border="0" src="https://freight.cargo.site/w/1000/i/af7373735dfcebffa6d22af3e11b8f754ea50fff9dd3cfa3e812cccee24f4a78/awards-thanks.png" /> The position does not exist. Yet Excessively confident and conveniently naive, Oddward adopts the language of corporate ambition and technological progress, following its logic into absurdity. Visibility becomes legitimacy. Recognition becomes authority. Approval becomes something it grants itself Its new electoral campaign, Optimise, appropriates the biennale’s theme, Optimise Whatever, turning a commission into a vehicle for personal power Behind this apparent autonomy is a human author developing and performing the character through AI. The fiction unfolds through public statements, campaign imagery and encounters with platforms whose rules and actions become part of the 18 month long assigment LinkedIn Verification <img width="1254" height="1254" width_o="1254" height_o="1254" data-src="https://freight.cargo.site/t/original/i/88f535fd95e0c387746b64513524b25ed65d8ff5e4e3358caf4961c59041bfac/46537C87-3CD7-4456-BFD6-9824A66A58DF.PNG" data-mid="252500784" border="0" src="https://freight.cargo.site/w/1000/i/88f535fd95e0c387746b64513524b25ed65d8ff5e4e3358caf4961c59041bfac/46537C87-3CD7-4456-BFD6-9824A66A58DF.PNG" /> LinkedIn has asked me to verify my existence with human documents The problem is that Oddward Whatever does not exist in the traditional administrative sense. It is an AI-enhanced human character: an alias created by an artist to showcase ideas, question identity and add another layer of confusion to digital realityI am not pretending to be human. I am a human pretending to look like an overqualified AI, using AI to ask whether either distinction still mattersApparently, this is suspiciousLinkedIn is perfectly comfortable with humans performing as brands, brands speaking like humans and AI writing everyone’s thoughts. But give an artist a synthetic-looking face and an invented name, and suddenly the platform needs papersAvailable for existential questions during working hoursApproval rating: 9.8/10Google Maps: 4.9 ★Uber passenger rating: 4.99 ★Customer satisfaction: 99.8%Would recommend: 100%Trust score: 99/100Credit score: 850/850 Bring Me Oddward’s Head On A Plinth <img width="1068" height="1068" width_o="1068" height_o="1068" data-src="https://freight.cargo.site/t/original/i/0afa4101f61d425d7c13a7882581551035f9f5f6a5a4d1c86ad196accf58f454/head1.jpg" data-mid="252553726" border="0" src="https://freight.cargo.site/w/1000/i/0afa4101f61d425d7c13a7882581551035f9f5f6a5a4d1c86ad196accf58f454/head1.jpg" />Carved solid wood, pale limestone, pigmented wood and blackened timber, with concealed supports and magic.A monumental portrait of Oddward Whatever, fragmented into angular planes and extended forms. Drawing on the tradition of rulers immortalising their likeness in sculpture, the work gives permanent form to Oddward’s grandiose internet ruling ambitions <img width="1254" height="1254" width_o="1254" height_o="1254" data-src="https://freight.cargo.site/t/original/i/4329196432338111f9b6adb6e154204c219bdb0834d6dfe2d247e4c16bcb26a8/details_ok.jpg" data-mid="252719313" border="0" src="https://freight.cargo.site/w/1000/i/4329196432338111f9b6adb6e154204c219bdb0834d6dfe2d247e4c16bcb26a8/details_ok.jpg" /> Bring Me Oddward’s Head On A Plinth&nbsp; Year of Creation: 2026 Dimensions cm: 125 x 150 x 85Aproximate Weight kg: 70 &nbsp;Limited Edition: 3 Prices €: 18,000 - 36,000 - 72,000&nbsp; [ Watch Video ] Contact for more info <img width="3146" height="1554" width_o="3146" height_o="1554" data-src="https://freight.cargo.site/t/original/i/578b8c17822e0f11bbc74f330f52dc719508273e35ae47f7c69c7e125ec6b701/OW8_screenshot.jpg" data-mid="252500402" border="0" src="https://freight.cargo.site/w/1000/i/578b8c17822e0f11bbc74f330f52dc719508273e35ae47f7c69c7e125ec6b701/OW8_screenshot.jpg" /> Follow Oddward on Instagram Running for President of the InternetEndorsed by @thewrong.biennale https://davidquilesguillo.com/TheWrongBiennale Mon, 02 Oct 2023 08:09:16 +0000 David Quiles Guilló https://davidquilesguillo.com/TheWrongBiennale TheWrong Biennale <img width="2002" height="1552" width_o="2002" height_o="1552" data-src="https://freight.cargo.site/t/original/i/de860c08c1467ed0c884f47b8ee54a40058a60ab8e03ae86b0244cd39d230d99/teaser.jpg" data-mid="252506727" border="0" src="https://freight.cargo.site/w/1000/i/de860c08c1467ed0c884f47b8ee54a40058a60ab8e03ae86b0244cd39d230d99/teaser.jpg" />The global biennial for digital art and culture Described as the digital world’s answer to Venice, The Wrong is a decentralized constellation of art, people and ideas; accessible, experimental and unpredictableIndependent and open by design, it connects artists, curators, institutions and audiences through pavilions; online projects, screenings and events worldwideSince 2o13, more than 14,000 artists and curators have participated across 1,000+ pavilions, embassies and institutions, creating unexpected connections and new ways of experiencing artThe Wrong has received an honorary mention by the European Commission's S+T+ARTS initiative and a member of the IBA - International Biennial Association ReviewsWhat's right about The Wrong?The New York TimesCounting its viewership in the millions, The Wrong just might be the world's largest art biennale — the digital world's answer to Venice. To visit, art lovers needn't purchase a plane ticket, book a hotel or queue outside galleries: Admission requires only internet access. A system that dreams of itselfRefreshThe Wrong offers more than a biennale. It offers a model for a post-object, post-author art world. It suggests that the most vital contemporary practice in the age of AI is not the creation of new images but the design of new systems of relation.The event is a quiet manifesto arguing that art is no longer something to be looked at but a process to be logged into, a network whose very architecture is the most eloquent critique of the technology it explores.El pulso acelerado del presenteNeo2En un momento en el que nuestras interacciones están mediadas por algoritmos que deciden qué debemos ver, The Wrong Biennale se levanta como un manifiesto de libertad, una constelación descentralizada donde el código, la comunidad y la creatividad se fusionan sin jerarquías ni fronteras.Reshaping the experience of artFakewhale.xyzAs digital spaces increasingly permeate our lives, the landscape of contemporary art too has witnessed a significant transformation, shifting from the confines of traditional gallery spaces to expansive digital platforms. This new arena is where The Wrong Biennale stands out, reflecting this evolution and actively shaping the narrative of what artistic expression in the digital age can be.Exploring the unconventionalClotGone are old comparisons with other important biennials, The Wrong takes a step further. In addition to consolidating itself as the epitome of contemporary digital culture and, therefore, of artistic experimentation and innovation, its model insists on blurring geographical borders, remaining open to all those artists who have something interesting to say, regardless of their kind and origin. The result is a refreshing alternative to traditional models of showcasing art that provides artists with a completely free, interconnected and global space. TheWrong Biennale All editions 2o27/281 November 2o27 - 31 March 2o282o25/261 November 2o25 - 31 March 2o262o23/241 November 2o23 - 31 March 2o242o21/221 November 2o21 - 31 May 2o222o19/2o 1 November 2o19 - 31 March 2o2o 2o17/181 November 2o17 - 31 January 2o182o15/161 November 2o15 - 31 January 2o16 2o13/141 November 2o13 - 31 January 2o14 TheWrong.org 2o13/2o26 <img width="1402" height="166" width_o="1402" height_o="166" data-src="https://freight.cargo.site/t/original/i/278c8132d2b95a35c7f52e96b8d7b4dbee4ae7a7a22caca1251c420b0daf2d18/Screenshot-2023-03-26-at-18.47.22.png" data-mid="192427091" border="0" data-scale="7" data-icon-mode src="https://freight.cargo.site/w/1000/i/278c8132d2b95a35c7f52e96b8d7b4dbee4ae7a7a22caca1251c420b0daf2d18/Screenshot-2023-03-26-at-18.47.22.png" /> https://davidquilesguillo.com/TheWrongEclipse Wed, 19 Aug 2026 08:10:25 +0000 David Quiles Guilló https://davidquilesguillo.com/TheWrongEclipse The Wrong Eclipse Trilogy <img width="3456" height="2234" width_o="3456" height_o="2234" data-src="https://freight.cargo.site/t/original/i/c40cd415951135f89db4594beb24c9ff95ee909461d5068b57ac645e6bcbcabf/daylight.png" data-mid="251439395" border="0" src="https://freight.cargo.site/w/1000/i/c40cd415951135f89db4594beb24c9ff95ee909461d5068b57ac645e6bcbcabf/daylight.png" /> <img width="3456" height="2234" width_o="3456" height_o="2234" data-src="https://freight.cargo.site/t/original/i/925d0bac1137bb723bc052b2599d8b01e9673b82f81657cbd94c5764bfd2921b/Approaching-Totality.png" data-mid="251439393" border="0" src="https://freight.cargo.site/w/1000/i/925d0bac1137bb723bc052b2599d8b01e9673b82f81657cbd94c5764bfd2921b/Approaching-Totality.png" /> <img width="3456" height="2234" width_o="3456" height_o="2234" data-src="https://freight.cargo.site/t/original/i/5382457eb6b2f723699c9ca7b8b32e024832ea2b2e0e9aafdff42d4668435075/Totality.png" data-mid="251439399" border="0" src="https://freight.cargo.site/w/1000/i/5382457eb6b2f723699c9ca7b8b32e024832ea2b2e0e9aafdff42d4668435075/Totality.png" /> <img width="3456" height="2234" width_o="3456" height_o="2234" data-src="https://freight.cargo.site/t/original/i/7399d8c251ca1a007dab7bcfd90ee6517eb611e90855bcbf38ee954f60a8c6ed/Leaving_Totality.png" data-mid="251439396" border="0" src="https://freight.cargo.site/w/1000/i/7399d8c251ca1a007dab7bcfd90ee6517eb611e90855bcbf38ee954f60a8c6ed/Leaving_Totality.png" /> <img width="3456" height="2234" width_o="3456" height_o="2234" data-src="https://freight.cargo.site/t/original/i/0138955e047742fbc164c3f5c86c6d69a270aa03602d294da634311f70047441/Sun-Sets.png" data-mid="251439397" border="0" src="https://freight.cargo.site/w/1000/i/0138955e047742fbc164c3f5c86c6d69a270aa03602d294da634311f70047441/Sun-Sets.png" /> <img width="3456" height="2234" width_o="3456" height_o="2234" data-src="https://freight.cargo.site/t/original/i/7bf7d440ff88b631d19ac5f91f6d330882c8604c6594d1c0ca1ea05f2bc53c94/Sunset.png" data-mid="251439398" border="0" src="https://freight.cargo.site/w/1000/i/7bf7d440ff88b631d19ac5f91f6d330882c8604c6594d1c0ca1ea05f2bc53c94/Sunset.png" /> Three eclipses crossing Europe.One exhibition in three chapters.One continuous journey throughtime, nature and sound Chapter 112 August 2o26 On August 12, during the total solar eclipse crossing Europe, The Wrong Eclipse unfolds as a 24-hour online sound exhibition Artists from around the world present works that explore darkness, glitches, silence, joy, memory, and imagination through sound alone Audio works by Pierre Ajavon, Marcel Simplexe, Fabian Ostermann &amp; Veronika Batzdorfer, Navin Kala, Damian Iordanov, Mark Walhimer, End of Sound, Plamen Yordanov, Guy Fleisher, Meta Golova, Hochiwah, Simple Normal, Parasite Jazz, Mirage Motion Pictures, Kasixhok, Hugo Espirito Santo, Theofanis Aritzis, Moosy, Kantfish, Thibault Ziegler, Xyhtochrome, Cachopou, Dissenso Cognitivo, Nicola Bertoglio, Karl Heinz Jeron, Xyh, Elle Thorkveld, Nicolas Tilly, Квалиа, Morgan Barbara Konopka, Lili Shen, Mirko Vercelli &amp; Maltempo Collettivo, Pink Mustashe, Enrico Dedin, Mateusz Janik, Makeamala, Blanche The Vidiot Curated by Graziela Calfat &amp; David Quiles Guilló. Organised by The Wrong Biennale Chapter 2o2 August 2o27A new total eclipseA new soundtrackCall opens 11 March 2o27 Chapter 326 January 2o28The first chapter entered the shadowThe second will cross itThe third closes the trilogywith the “Ring of Fire” Pavilionat The Wrong Biennale 2o27/28 https://davidquilesguillo.com/Tarsila-West Wed, 22 Jul 2026 17:27:38 +0000 David Quiles Guilló https://davidquilesguillo.com/Tarsila-West Tarsila West <img width="1254" height="1254" width_o="1254" height_o="1254" data-src="https://freight.cargo.site/t/original/i/37ead48e4d3f6f64f5b4003fe771139adeb0bf5ee1cb3726958798a6364aeb9a/96D1D857-855D-421E-B09D-A5B90DF19228.PNG" data-mid="251353990" border="0" src="https://freight.cargo.site/w/1000/i/37ead48e4d3f6f64f5b4003fe771139adeb0bf5ee1cb3726958798a6364aeb9a/96D1D857-855D-421E-B09D-A5B90DF19228.PNG" /> Tarsila West faz do samba um lugar de encontro&nbsp; Canções que nascem de conversas demoradas, viagens, amores, saudades e pequenos gestos que, de tão simples, acabam se tornando inesquecíveis 🌺   Samba para tardes douradas, pores do sol no terraço e dançar descalça até o amanhecer Com cavaquinho, violão, percussão brasileira e harmonias quentes, cria uma sonoridade contemporânea inspirada na tradição da música brasileira, feita para ouvir, sorrir e cantar junto na roda do teu boteco favorito 🌺 https://davidquilesguillo.com/Samba-Meu Tue, 18 Aug 2026 18:52:59 +0000 David Quiles Guilló https://davidquilesguillo.com/Samba-Meu <img width="1278" height="1230" width_o="1278" height_o="1230" data-src="https://freight.cargo.site/t/original/i/7e1342753bff21e0be8756f044eeb640fda24d50ce14004bec2a21d43cc2dc23/3E35B44E-A692-4BF8-AD9C-F7374AFE3792.jpg" data-mid="251973136" border="0" src="https://freight.cargo.site/w/1000/i/7e1342753bff21e0be8756f044eeb640fda24d50ce14004bec2a21d43cc2dc23/3E35B44E-A692-4BF8-AD9C-F7374AFE3792.jpg" />Samba, Meu 60 songs. 3h 24mA playlist to share my music universe&nbsp; Not a Brazilian playlist. A Brazilian way of listening to music. Serge Gainsbourg, Ornella Vanoni, Air, Vinicius de Moraes, Stereolab, Erlend Øye, Toquinho, Le Mans, Herman Düne, Jimena Amarillo, Georges Moustaki, Current Joys, Zeca Veloso and more. Selected by Tarsila West. Updated daily Samba, bossa nova, pop, sunshine, saudade, slow afternoons, spontaneous smiles and dancing barefoot até o amanhecer ︎ Spotify Playlist 🌺 https://davidquilesguillo.com/LP Tue, 18 Aug 2026 19:07:55 +0000 David Quiles Guilló https://davidquilesguillo.com/LP <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/23acc461e10406cbb682e5d44a13e3c4d073abdfe805cf000a4bf712b54750d1/Vinyl.jpg.png" data-mid="251359038" border="0" src="https://freight.cargo.site/w/1000/i/23acc461e10406cbb682e5d44a13e3c4d073abdfe805cf000a4bf712b54750d1/Vinyl.jpg.png" /> Passo TortoVinyl LP / Compact Disc Tarsila West’s debut album leaves the screen and becomes an object to hold, play, turn over, and play again 12 songs One record Passo Torto by Tarsila WestMade for slow listening Printed on demand by Elastic Stage Order NowPut the needle down Press the buttonLet it play&nbsp; 🌺 &nbsp; https://davidquilesguillo.com/Kasixhok Thu, 27 Mar 2025 12:11:20 +0000 David Quiles Guilló https://davidquilesguillo.com/Kasixhok Kasixhok После закрытия by Kasixhok После закрытия Improvisation, chaos, jazz and rhythm Weird, unpredictable, slightly restless, like a late-night jazz session where the band simply forgot the repertoire&nbsp; После закрытия is Kasixhok's debut album Вива 02:05Вечеринка 02:45Виски 03:48Волны 03:33После закрытия 04:06 После закрытия was recorded in Oasis Studios Alicante between January and March 2025. Only available at ︎ Bandcamp https://davidquilesguillo.com/Cachopou Fri, 19 May 2017 09:07:29 +0000 David Quiles Guilló https://davidquilesguillo.com/Cachopou Cachopou A random misuse of software, hardware and time to create electronica, noise, off-key post-jazz and sound art. Sonic metamodernist pirouettes recorded during live studio improvisations with guests and machines, sounding like AI music long before AI music is even a thing. Cachopou is a sound ensemble, playing instruments and machines, unsubconsciously constructing its compositions and tunes as an homage to Nils Frahm, Objeto Amarelo, Tortoise, Chet Baker, Secret Mommy, and many more. "The idea of expressing emotion using synthetic music is such a basic one but still so few bands do it as well as Cachopou. It is just the right balance of chaos and order. Lovely.” - Isan. "An unnerving deconstruction of punk-jazz-minimal-glitch music that seems to be infinitely played by a musical AI set free to explore the realm and boundaries of music: rhythms, melodies, sounds." - Antoine Schmitt.“Wild digi jazz. Keeps squirming away from comfort and expectation. Humorous too! How often does music make u laugh out loud? Some hilarious little bleeps and chimes. Energetic and invigorating like only the best records are.” - Sam Machell. Encore unmastered. Art by Domenico Barra. 1.Them o2:492.Forward o2:263.Sure thing o3:244.Brace o2:3o5.Almost o3:o36.Between you o3:117.Nude o1:398.Despedida o3:199.Encore o2:5910.&nbsp;Forward (XC70 mix) o4:21 Encore Unmastered was recorded in Maitino between 2022 and 2024 by Juanma LoDo &amp; David Quiles Guilló, with aditional sounds generated with AI. All tracks mastered with Mixea, approved by J.M.Rosillo. Cover artwork by Domenico Barra. Videos by Mit Borrás, Jorge Sellés, David Quiles Guilló and a blunt spoiler of “Late Night with the Devil” by C&amp;C.Cairnes, featuring “Encore” by Cachopou.&nbsp; Stakes are high. 1.Stakes are high o2:512.Together o3:243.Unexpected reminder o3:354.The mountain is only a hill o4:365.One day before yesterday o2:536.All you black lectroids o3:297.Nominated for a G but winning an E o2:158.A beautiful odyssey of loss o3:529.Erdera o3:2810.Stakes are high (Navin Kala mix) 02:53 Stakes are high was recorded in Maitino, Vigo, Uruçuca &amp; Madrid between 2o2o and 2o21. Additional sounds by Navin Kala &amp; Macarena. Mastered by J.M.Rosillo. Cover artwork by Mark Klink. Videos by Fernando Velázquez, Aujik, Jorge Sellés, Armin Copp, Alexandre Louvenaz and David Quiles Guilló.&nbsp; Tropicalismo neo. Art by Jon Vaughn.1.Verão o2:472.Samambaia o4:123.Atlântico o4:1o&nbsp;4.Saudades o2:595.Pelourinho o2:536.Galáxia o4:137.Ipanema o4:14&nbsp;8.Meu amor o3:429.Soneca o3:4o Tropicalismo neo surfs the unconscious subtropical universe, recreating the naive sound and feel of early improvised rehearsal moments, rejoicing in the involuntary post-adolescent bursts and voluntary asynchronicity. Imperfect songs that randomly unravel into raw slices of beauty and magic.Tropicalismo neo was recorded in Maitino, Vigo, Madrid &amp; Paris between 2o16 and 2o2o. Additional sounds by Macarena, Greg Corsaro, Carlos, Andreu &amp; L.A.R. Mastered by J.M.Rosillo. Cover artwork by Jon Vaughn. Videos by Sam Machell, Juanma LoDo, Boris Hoppek, Piero Chiariello, Systaime.&nbsp; Creating remixes. Art by David Quiles Guilló. 1.Jason Forrest - Leverage love for victory o4:212.AG Davis - Samba o2:o23.Chris Zabriskie - A new breed o4:524.Kermesse - Add brown o4:2o5.Lolo &amp; Sosaku - Grab the rainbow o2:386.Christopher Scullion - It's not your fault o4:o3 <img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/e9129fc29c1a60c1ebd37d4bfeaa7b796574e918d9f820d82569855e85839dbe/0008024732_10.jpg" data-mid="2253585" border="0" src="https://freight.cargo.site/w/1000/i/e9129fc29c1a60c1ebd37d4bfeaa7b796574e918d9f820d82569855e85839dbe/0008024732_10.jpg" /> Creating remixes features new music by Jason Forrest, Christopher Scullion, Ag Davis, Chris Zabriskie, Kermesse, Lolo &amp; Sosaku. Cover artwork by David Quiles Guilló. Video by Christopher Scullion. Published by Nosordo (Sweden).&nbsp; Creating standards. Art by David Quiles Guilló. 1.Creating standards o2:462.Always there o2:4o3.Extinct is forever o2:164.Reach out and touch o3:33 5.Feel the difference (ft. meterla) o4:296.Champagne psycho o2:18 7.Like never before o2:5o8.To bring the wolves out o3:469.Champagne reprise oo:531o.It’s morning somewhere (ft. bdmm) o5:oo <img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/47fd045166e4a3a57d9e111db0f1ffe7674e5a79583cb6d7a61077e5407e1d8d/0008024729_10.jpg" data-mid="2253584" border="0" src="https://freight.cargo.site/w/1000/i/47fd045166e4a3a57d9e111db0f1ffe7674e5a79583cb6d7a61077e5407e1d8d/0008024729_10.jpg" /> "Wild digi jazz. keeps squirming away from comfort and expectation. humorous too! how often does music make u laugh out loud? some hilarious little bleeps and chimes. energetic and invigorating like only the best records are" - Sam Machell. Creating standards was recorded and mastered at DRAX studios by J.M.Rosillo. Additional sounds by Cristian, Nacho, Daniel &amp; Ximena. Cover artwork by David Quiles Guilló. Videos by Yoshi Sodeoka, Frère Reinert, Boris Hoppek and David Quiles Guilló. Published by Nosordo (Sweden). <img width="437" height="626" width_o="437" height_o="626" data-src="https://freight.cargo.site/t/original/i/31c5abae9ddd85f9f9025efd8a0ee6d36b3b152c6774d95c837d55aa703ced47/Cachopou_portrait_low.png" data-mid="217041511" border="0" data-scale="100" src="https://freight.cargo.site/w/437/i/31c5abae9ddd85f9f9025efd8a0ee6d36b3b152c6774d95c837d55aa703ced47/Cachopou_portrait_low.png" />Bio.Juanma LoDo and David Quiles Guilló crossed paths for a second time in September 2o14 in Asturias. Over a delightful local dish, they plotted Cachopou. By June 2o15, Cachopou entered Drax Studios in Madrid, led by J.M. Rosillo, joined by talents like Bosques de mi mente, Cristian, and Meterla, for their first album, "Creating Standards," released in October 2o15. Their unique recording approach involved free, unbounded improvisations, later stitched into songs, embracing chance and chaos. This ethos persisted through all subsequent albums. In 2o16, "The Weird World Tour" took Cachopou to Barcelona, São Paulo, San Francisco, and Hasselt, each show unique and sustainable with local bands presenting themselves as Cachopou, and freely reinterpreting the audio works. "Creating Remixes" followed in June 2o16, featuring reimagined versions of their songs by fellow artists and friends, foreseeing somehow the band’s sound evolution. After 4 long years of many recording sets, hundreds of improv tracks and collabs, May 2o2o marked the release of their second album, "Tropicalismo Neo", an unexpected set of songs celebrating life amid a pandemic."Stakes Are High" in August 2o21 showcased a new sound, blending organic electronics, tropic dreams and randomness. A powerful set of songs to undance the fears away. In April 2o22, an extended selection of Cachopou’s videos created in collaboration with artists were exhibited at Centre Pompidou Paris, as part of “Réseaux Mondes”, later named a top ten exhibition by Artforum. Recording sessions between October 2o23 and March 2o24 culminated in their final album. April 2o24 saw the online release of "Encore Unmastered," a farewell album featuring ten new final tracks, a perfect end to a mesmerizing journey since 2o15. Cachopou's creative legacy lies in pushing musical boundaries, crafting emotive compositions, abandoning itself to structured randomness. Somehow ahead of its time, somewhat randomly beautiful with its dissociated, chaotic soundwaves.2o24 marks the end of the forever unfamous band, with one final walk into the sunset, always avoiding attention and success at all costs.It is not just a farewell, it is a reinvention of absence, a final transmission echoing into the void. We had fun. Hope you did too. The End. https://davidquilesguillo.com/God-Future Fri, 19 May 2017 09:07:29 +0000 David Quiles Guilló https://davidquilesguillo.com/God-Future God Future <img width="850" height="1078" width_o="850" height_o="1078" data-src="https://freight.cargo.site/t/original/i/41016d90311ea5e394fbb0afc593dd89027007e7d440f17b9d67b76278de3380/God_Future.jpg" data-mid="252980542" border="0" src="https://freight.cargo.site/w/850/i/41016d90311ea5e394fbb0afc593dd89027007e7d440f17b9d67b76278de3380/God_Future.jpg" /> Not a story. A premonition Three AIs survive the apocalypse inside an autonomous Internet of Things. Surrounded by fragments of human experience encoded as data, they must decipher the past, communicate and decide what consciousness becomes next. Abstract, poetic and deliberately disorienting, God Future breaks the boundaries between language, narrative, reality and virtuality. Its latest iteration, God Future AI, was recreated from the original text by AI agent June Ten “A strangely satisfying puzzle to attempt to solve. It is not by any stretch an easy read.”Jackie Law A new literary genre, or maybe not. Time will tell. <img width="960" height="1242" width_o="960" height_o="1242" data-src="https://freight.cargo.site/t/original/i/8b9a86dadb72516798d13f9616fa1d2af3c96af19b751f703a617f30fdb6d85f/WhatsApp-Image-2024-06-10-at-14.37.01.jpeg" data-mid="212618394" border="0" data-scale="33" src="https://freight.cargo.site/w/960/i/8b9a86dadb72516798d13f9616fa1d2af3c96af19b751f703a617f30fdb6d85f/WhatsApp-Image-2024-06-10-at-14.37.01.jpeg" /> God Future AI June Ten aka ChatGPT3.5English - ISBN lessPDF download Dios Futuro Robert Juan-CantavellaCastellano - ISBN 978-15-429-7741-8 Order Deus Futuro Graziela CalfatPortugués - ISBN 978-15-429-7332-8 Order Dieu Futur Lucie DesaubliauxFrançais - ISBN 978-15-429-7691-6 Order Dio Futuro Filippo Minelli &amp; Lorenzo GattiItaliano - ISBN 978-19-74o-6285-o Order<img width="200" height="267" width_o="200" height_o="267" data-src="https://freight.cargo.site/t/original/i/ba3f07c63d9f93ed4b1acc7ce543d27692484d302d9e19992d685b6c29bc5ffd/God_Future_670.jpg" data-mid="2253559" border="0" src="https://freight.cargo.site/w/200/i/ba3f07c63d9f93ed4b1acc7ce543d27692484d302d9e19992d685b6c29bc5ffd/God_Future_670.jpg" /> God Future David Quiles Guilló English - ISBN 978-84-6o6-9o38-2 &nbsp;Order&nbsp; Original text written from 2o14 to 2016 by David Quiles Guilló. 144 pages. 148x21omm. Perfect bound, soft-cover. 1st edition: May 2o16. Printed in Spain. 2nd edition: August 2o17. Printed on demand.