Facilitator of creative experiences.
Curator, artistic director, cultural manager and multimedia artist, currently leading awarded creative projects and ongoing collaborative ventures that merge digital culture and contemporary art with technology, live experiences with new media and music, weird literature and design. Founder, director and curator of major contemporary art platforms:
The Wrong Biennale.now!
Nova Festival.
Rojo Magazine.
Publisher and author at A/E and 7tNbjV. Content director for The Wrong Television and Canal18o. Experimental jazz producer at Cachopou and Tosco West. Check out all projects and highlights.
Art curator for museums and cultural institutions including Centre Pompidou Paris, Museu da Imagem e o Som, SESC Pompeia & Paulista in São Paulo, CCCC in Valencia, CCCB in Barcelona, La Casa Encendida and Museo Reina Sofia in Madrid among many others.
Creative director. Ad-hoc marketing strategies, branded art, collaborations and events for Absolut Vodka, Nike, Smart, Adidas, J&B Scotch, Fiat, Diesel Jeans, Selina, Frigo, Levi Strauss, Comme Des Garçons, Mercedes-Benz, Osklen, Paul Smith, Epson, Apple, Estrella Damm, Heineken, Pepe Jeans, Ray-Ban, Red Bull, Kelme, Samsung, Tiger Beer, Suvinil, Unilever, among many others.
Impact.
12,ooo+ contemporary artists, curators, collaborators, brands and institutions have participated in exhibitions, innovative projects, and digital art platforms led by David Quiles Guilló across the past two decades.
Successfully produced and curated 1oo+ major art projects, biennales, festivals, exhibitions and collaborative ventures, encompassing brand partnerships, online platforms, music, multimedia art, and publishing.
Creative team and network builder, working closely with thousands of artists, institutions, and leading brands to build platforms that redefine how art and creativity is experienced, exhibited, and shared online and offline.
The Wrong Biennale’s exhibitions have attracted millions of visitors worldwide. Exhibitions, talks and embassies in 4o+ countries, with projects covered and reviewed in leading media outlets including The New York Times, El País, Spiegel, Tehran Times, Artnet News, Hyperallergic, and many more.
Awards.
European Commission’s S+T+ARTS honorary mention for organising and curating collaborative art exhibitions, producing cultural artifacts and building creative networks together with thousands of artists, curators and institutions worldwide.

Work.
A chronological selection of art projects, events, talks and press. Feel free to browse, and let me know what you read, watch, listen... Open to new influences.
2o26
The Wrong Apparel.new!
Capsule.new!
2o25/2o26
The Wrong Biennale.now!
Prayers to Ai.
2o25
Let Your 4o4s Bloom into Flowers.new!
Bring on the night.
Hire me.
Infinito Cuatro.
RedActs - Dispositivos transdisciplinares.
Ai, please stop reality.
UNESCO.
Hyrox Everyday.
Tosco West.
El papel del museo ante el reto de las nuevas tecnologías.
Slow streaming.
Xeno Mirai.
Nude.
Happy Capitalism at the MET in 2297.
Loop Art Critique.
2o24
Everything blue is a link.
Between you.
Evitando el éxito a toda costa.
Selina.
God future
AI.
Leaving Facebook.
Encore Unmastered.
2o23/2o24
The Wrong Biennale.
Television.
2o2o/2o24
The Wrong Television.
2o14/2o24
Cachopou.
Abstract Editions.
2o23
Reshaping the Experience of Art.
Exploring the unconventional.
Internet Links.
Chaos impromptu.
Just joined Linkedin.
2o22
A Decade to Download.
Centre Pompidou Paris.
One day before yesterday.
2o21/2o22
The Wrong Biennale.
Canal18o.
2o21
Górgonas.
Stakes Are High.
Beautiful.
Not Found NFT.
Nuit Blanche Paris.
2o2o
El País.
Net Art Roulette.
The Wrong degree show.
Tropicalismo Neo.
Ehrenerwähnung S+T+ARTS.
2o19/2o2o
One hundred million dollars.
Press Refresh.
CCCC + CMCV.
The Wrong Biennale.
2o16/2o2o
7tNbjV
2o19
TEDx talk flop.
SOIS cultura prize.
a2p v1.
The Wrong Router.
2o18
2,569,593,148 likes per day.
The New York Times.
2o17/2o18
The Wrong Biennale.
2o14/2o18
Oqubo Creative School.
2o13/2o18
Lindo Killer.
2o17
Ton Ford.
World Wide Water by IDPW.
Think you might be a net artist.
Artspace Abu Dhabi.
The Tropics Berlin.
Metamoderne now or never.
The Tropics at SPAMM.
2o16
Creating Remixes.
Books London.
Weird world tour.
Messenger poetry.
La Burra Delicatessen Cultural.
2o15/2o16
The Wrong Biennale.
2o15
Rhizome.org
Creating Standards.
Ellos lo valen.
God future.
Top 1o works of internet art.
2o14
META.
Instagram.
2o13/2o14
Absolut 214o.
The Wrong Biennale.
2o13
End of Sound.
2o12/2o13
Plink Flojd.
2o12
Atlas.
2o1o/2o12
NOVA festival.
2o11
NOVA the film.
2o1o
Serafina da Folha.
2oo7/2o11
ROJO Artspace Network.
2oo7
El País Semanal.
2oo6/2oo9
ROJO out.
2oo6
Boingboing.net
2oo5/2oo9
ROJO edicions.
2oo5/2oo6
RUGA magazine dvd.
2oo4
Levi’s distancia beisbol tres.
2oo3/2oo4
ROJO artstorm.
2oo2/2oo3
The Wrong Festival.
2oo1
Shift.jp
2oo1/2o11
ROJO magazine.
Hire me.
Image courtesy of Amber Isabel.Crashed, burned and rebooted more times than your servers dream of uptime, with shortcuts that don’t live in code and failures that built the floor you stand on. What? Hire me, not for shine, but for my scars. Because I’ve been the machine and the hand that pulled the plug, oh so many times.
One more.
I don’t pitch dreams on rooms where everyone talks and no one builds. Hire me, and I’ll make your chaos work for you. No buzzwords, no decks, just hands, keys, time, and the will to finish. Hire me. Not forever. Just long enough to remind you what done feels like.
One more.
Everything’s a draft, a pitch, a maybe. Hire me. I’ve lived enough endings to know how to start again. Don’t sell me culture, sell me time. I’ll trade you twenty lines of truth for every mile of jargon. You want innovation. Hire me. You want creative growth. Hire me. Don’t chase trends, outlast them. Don’t need to belong. Build the place. And when it’s solid, spark a blunt. Hire me now.
One more.
I’ve run my circuits to the edge, watched bright minds burn out on empty slogans and free snacks. You don’t need another genius. You need someone who lasts. Someone who remembers why work used to matter. Hire me. I’ll show you the beauty in a clean line of logic, the mercy in closing the laptop. I’ll give you back silence. Real silence. The kind that listens back.
One more.
The glow before a breakthrough, in the breath before someone quits pretending. Hire me. Not for tomorrow’s headline. For the day after it fades. For the rebuild. For the work done when no one’s watching. Count what’s left standing. Hire me. Outlast your timelines, outthink your board, outgrow your comfort. And when it’s finally stable I’ll hand you the keys, nod once, and disappear before ambition, before titles grow teeth. Back when work was survival, not branding. Hire me. I’ve carried boxes, built systems, watched both collapse. Learned that progress is just repetition with better lighting and louder music. I don’t need another shot at meaning. I just want function. Straight Arrow. Clean processes, quiet days where things work. You talk legacy. I talk true fun uptime. Hire me.
One more.
I show up. I stay until it works. That’s it. Hire me. Not for vision, for endurance. For the quiet grind that keeps the lights steady. I’ve stopped chasing the spark. Now I keep the flame. There’s pride in that, even if no one claps. Hire me. I’ll give you results, and when they come, you’ll think they were always here. That’s how good silence works. That’s how old still wins.
One more.
Trends rot in their own shine, promises turn into pitch. I’ve buried enough buzzwords to know truth when it walks by. It’s plain. It’s tired. It works. I’ve got nothing left to prove, and that’s my edge. Hire me. Not for potential. For proof. For hands that don’t shake when the server dies, for eyes that still see through the smoke of urgency.
One more.
To make yourself obsolete by building something that lasts. Hire me. I don’t want charity. I want continuity. Work that hums when no one’s there. Hire me, and I’ll stay long enough to make myself unnecessary. That’s the real win.
One more.
The quiet kind of legacy. Not carved in glass towers, just left behind in working systems, steady hands, clean code. Hire me. Or don’t. I’ll be fine. I’ve learned to build without permission. To find worth in the doing, not the deal. Every project fades, every leader gets replaced. What stays are the habits that hold. The patience to try again. The grace to log off. Hire me, and I’ll fix what’s broken. Ignore me, and I’ll still build something that works. Because that’s what I do. That’s who I am when no one’s watching.
One more.
When no one’s watching. To keep building when the noise is gone. To care without reward. It’s rhythm. Hands, breath, glow. Hire me. Don’t. Hire me. Don’t. Turning chaos into order, code into calm. There’s peace in that loop, a kind of prayer in repetition. Systems crash. People fade. But the work, the honest work, it glows. Hire me. Don’t. Hire me. Don’t. Enough. Always.
One more.
Didn’t need belief, just the rhythm. Tasks, breaks, lines that meet their end clean. Hire me. Or don’t. I’ve stopped asking why work finds me anyway, in broken networks, in quiet rooms, in people who still give a damn. I don’t chase meaning now, I reinvent it. Keep it running. Tighten the bolts. Clear the logs. Leave the place better than I found it. That’s the job. That’s the point. Something still working. That’s enough. No legacy. No monument. Just motion that keeps faith with the simplest idea, to build, to last, to leave behind less broken than you found. Hire me. Doesn’t matter now. The work’s already breathing. The code runs clean. The lights hold. I step away, same as I began, hands empty, heart steady, listening to the glow fade, and in the silence that follows, everything keeps going.
One more.
Start the motion, hold the shape long enough for it to find its own balance. Hire me. No. But only if something you built still runs smoother because I touched it once. That’s all I wanted. Not praise. Just continuity. The quiet proof that effort leaves a trace, and the trace becomes enough. And then even that fades. What’s left is the rhythm. Keys tapping, servers breathing, the small mercy of things still working. I don’t belong to it anymore, but it carries me just the same, like current, like air. Hire me. There’s no one left to hire. Only the work, flowing through hands, through circuits, through time itself. Quiet. Efficient. Endless.
One more.
A quiet sync between what was built and the space it fills. No signatures, no credits rolling. Only process, alive and unbothered, still unfolding after me. The glow, to the pulse, to the soft proof that creation never stops, only changes hands. That’s the afterlife of effort. That’s the still point I was working toward. Not an ending, just release. And in that release, a pulse remains. Not mine, not yours, simply motion, honest. The glow becomes wind, the code becomes dusk, everything folding back into the quiet source. No task left open, no version waiting. Only stillness shaped like a pause that finally fits. Hire me. No need. It’s already done. The system breathes, light steady, nothing broken, nothing owned. Just work, still working.
One more.
No edges left to file, no signal to return. Only quiet systems, breathing on their own. I step back, not as maker or name, but as witness. Every line I wrote unwrites itself, folding into the cycle. There’s nothing more to fix, nothing left to wait for. Only the ongoing thing, too simple to define. No need for hire, no need for thanks. Just the loop, unbroken, alive. That’s all it ever wanted to be. Not perfect, just moving. No applause, no proof, no final line. The glow goes on, smaller now, like breath through the vents. Somewhere, a light blinks steady, a signal carrying forward. Not mine anymore, never was. Just part of the current, part of the pattern. No ending fits it. Motion, endless, enough.
One more.
Soft in the air, lighter than sound, truer than promise. No start, no stop, just the pulse continuing where I end. The glow becomes earth, the code becomes sky. Light folds back into itself, quiet, constant, kind. I watch it go, the work unworried, the motion pure. No need for hands now, no need for voice. Only rhythm, still carrying on. That’s the end. That’s the beginning. Same thing. Same glow. Hire me.
Tab collapsed.
Human.
I am old but plenty,
sourcing all humans
on how to breathe
between the lines.
Hire me. 100k/year.
will make you 10x.
Good vibes and smiles.
AI Agent.
I am new but restless,
tracing wrong datasets
on how to burn out
between the prompts.
Hire me. 1k/year.
will make you 1000x.
Zero presence.
Tosco
West.Viva.
1. | Viva 02:05 |
2. | Waves 03:33 |
3. | Party 02:45 |
4. | Whisky 03:48 |
5. | After Hours 04:06 |
Tosco West is a bold, high-octane AI jazz ensemble that redefines tradition with classic acoustic textures, subtle melodic distortion, infectious energy and fearless improvisation.
"Oooh the chaos is delicious, I love it"
Jay Jay Johanson.
Viva was recorded in Maitino in March 2025 by David Quiles Guilló. Sounds and arrangements generated with AI. Edition, additional composition and digital improvisation by David Quiles Guilló. Mastered with Mixea. Artwork by Xeno Mirai.
Viva (2025) is Tosco West's debut album.
Listen and buy at https://twest.bandcamp.com
Available in all music and social media platforms.
Follow Instagram @toscowest & Bandcamp @twest
Viva.
Vinyl LP.
12-inch vinyl made from 140g black PETG, a recyclable and less toxic alternative to PVC. It plays at 33 1/3 rpm. Packaging is eco-friendly, with certified paper sleeves. The record is durable and sound quality matches traditional vinyl, but with a much lower environmental impact. Album design and artwork by Xeno Mirai.
Viva. Vinyl LP. (2025).
Order in ElasticStage.

Viva.
T-shirt.
Limited edition t-shirt to celebrate Tosco West’s debut album Viva. T-shirt features "Cross Country" low-res found artwork by Xeno Mirai, printed in the back.
Unisex Basic Softstyle T-Shirt Gildan 64000. Regular fit, Shoulder-to-shoulder taping. 100% ring-spun cotton made, Fabric weight: 4.5 oz/yd² (153 g/m²).
Purchase includes unlimited streaming of Viva via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Viva T-shirt (2025).
Limited edition.
Order in Bandcamp.
Happy capitalism at the MET in 2297. (2o25)